Curated by Diana Ali at Art Center Caravel, ARTE.M Association, Funchal, Madeira, Portugal 2024.

Concept:

We are facing many barriers globally where our identities are being bruised, rejected, and turned away. This leaves a tension for bodies, thoughts, and circumstances to be accepted and co-exist. Artists have been invited to contest and question what it means to face barriers. Often our artworks have been declined from being shown and exhibited. This exhibition gives an opportunity for the art to migrate. There may not be a utopia, but there are ways of overcoming barriers. Imagine the artwork being personified. What would it say if it had freedom of movement, no immigration law, finding asylum and a sense of belonging without being displaced? A fantastic array of international artists come together in one space to question, confront and seek sanctuary through their artwork.

UPDATE

Although the fantastic array of international artists would have come together in one space to question, confront and seek sanctuary through their artwork, the exhibition has had to confront a barrier. The artwork has not had a freedom to roam because it has been detained by customs. This current exhibition shows the list of artists whose work has been detained, missing or delayed in customs in Lisbon.

Local press publicity (Madeira)

Local press publicity (Madeira)
Cultura JM (Journalist: Catarina Gouveia)

Exhibition info:

Exhibition info:

Featured artists:

Jonathan Lamb (UK)

'Littoral Drift'

(Framed and mounted photograph, 310 x 415mm, 2024) 


This project shows the transformation of a beach pebble ’stolen’ from Rye Harbour Local Nature Reserve, where according to the management plan little is natural.  The 3D printed simulacrum interrogates the stone’s site, finding its origin indeterminate due to littoral drift - longshore transport due to waves and currents.

Symbolic of migratory matters, the work further locates the issue in the tension between nature and culture.  It references a previous age, when humankind lived as part of an environment that was venerated through iconic stones.  A time when the coastal barrier between the UK and Europe was still a bridge.


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