Curated by Diana Ali at Art Center Caravel, ARTE.M Association, Funchal, Madeira, Portugal 2024 & Arthall, Victoria, Gozo, Malta 2025

Concept:

We are facing many barriers globally where our identities are being bruised, rejected, and turned away. This leaves a tension for bodies, thoughts, and circumstances to be accepted and co-exist. Artists have been invited to contest and question what it means to face barriers. Often our artworks have been declined from being shown and exhibited. This exhibition gives an opportunity for the art to migrate. There may not be a utopia, but there are ways of overcoming barriers. Imagine the artwork being personified. What would it say if it had freedom of movement, no immigration law, finding asylum and a sense of belonging without being displaced? A fantastic array of international artists come together in one space to question, confront and seek sanctuary through their artwork.

Exhibition information/Flyer:

Exhibition information/Flyer:

UPDATE 2025

In 2024, a majority of the work was detained by the Portuguese customs on the way to be exhibited in Madeira. The artwork did not have a freedom to roam. In 2025, the art hopes to confront crossings and overcome barriers by having the opportunity to be exhibited at Arthall, Malta.

Stephen Hilyard (US)

'There is No Death'

(Composite images assembled from large format film positives)

There Is No Death: Statement

There is No Death explores the border between the living and the dead, between the messy physical world and the dimension of ideas and culture where our grief resides. Each image in series presents a different example of the many ways in which we attempt to deal with loss, to make it rational or even reasonable, and ultimately to deny the reality of death.



#1: There is No Death – Forest

This image is made from various views of a forested cemetery in Reykjavik, Iceland. This synthetic view of the cemetery creates the impression of an impassable maze. The deceased are memorialized and reincarnated as trees, creating an artificial forest in a country almost completely devoid of trees. This seems like a triumph of European romanticism and the Modernist cult of Nature, and yet this is a thoroughly artificial ecosystem.

#2: There is No Death - Albert

This is an impossible view of the Albert Memorial assembled from multiple photographs all taken at different times of day with different lighting. This should not be at first apparent, but creates a sense of artificiality, and something slightly off. The statue of Prince Albert has also been scaled up. The Albert Memorial is a particularly garish attempt to triumph over loss and grief by the creation of an overblown monument conflating the gilded beloved with the history of empire. In retrospect the structure becomes a monument to both unbearable personal loss and the loss of belief in a national mythology.

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