Curated by Diana Ali at Art Center Caravel, ARTE.M Association, Funchal, Madeira, Portugal 2024 & Arthall, Victoria, Gozo, Malta 2025

Concept:

We are facing many barriers globally where our identities are being bruised, rejected, and turned away. This leaves a tension for bodies, thoughts, and circumstances to be accepted and co-exist. Artists have been invited to contest and question what it means to face barriers. Often our artworks have been declined from being shown and exhibited. This exhibition gives an opportunity for the art to migrate. There may not be a utopia, but there are ways of overcoming barriers. Imagine the artwork being personified. What would it say if it had freedom of movement, no immigration law, finding asylum and a sense of belonging without being displaced? A fantastic array of international artists come together in one space to question, confront and seek sanctuary through their artwork.

Exhibition information/Flyer:

Exhibition information/Flyer:

UPDATE 2025

In 2024, a majority of the work was detained by the Portuguese customs on the way to be exhibited in Madeira. The artwork did not have a freedom to roam. In 2025, the art hopes to confront crossings and overcome barriers by having the opportunity to be exhibited at Arthall, Malta.

Dr. Beck Howson (UK)


Cut & Paste - Collapsing Typographic Systems

Risograph prints, transfer type assemblages 




The theme is explored through transfer type systems and risograph printing process. Here we see typographic elements deconstructed to create new and alternative forms. The systems that depict people are used in this typographic triptych, part of a collection called Letraset Architecture, printed in 1972; mass produced rub down type used in commercial settings and now obsolete. These artefacts are being reused in collages consisting of a variety of typefaces which are cut and reassembled. A space where people are navigating through new landscapes of interruptions, interventions and disruption.


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